Last week, Twitter users internationally made a startling discovery: A viral photo of the Vatican’s Paul VI audience hall revealed a colossal, looming sculpture that frames the pope during his addresses.
“i’m sorry is that this a traditional thing the pope stands in front of” read a tweet on Aug. 25 that garnered over 172 thousand likes. And it’s a sound query. The sculpture makes an impression.
i’m sorry is that this a traditional thing the pope stands in front of pic.twitter.com/Q9XFAy3we0
— picardie aurora (@picardie_aurora) August 24, 2022
The sculptor Pericle Fazzini designed the piece, “The Resurrection,” to represent Jesus ascending from the explosion of a nuclear bomb. It measures an unlimited 66 feet by 23 feet by 10 feet. The wilted bronze color gives the piece a sense of sickness and decay, while the misshapen knots around Christ’s feet evoke images of dismembered hands and skulls.
Commissioned in 1970 and inaugurated in 1977, “The Resurrection” comes from an era of widespread fear of nuclear annihilation, of duck-and-cover drills and neighborhood fallout shelters. Then and today, leaders within the Catholic Church have stated in clearest terms their opposition to nuclear weapons.
The sculptor Pericle Fazzini designed the piece, “The Resurrection,” to represent Jesus ascending from the explosion of a nuclear bomb. It measures an unlimited 66 feet by 23 feet by 10 feet.
Pope John XXIII opened the Second Vatican Council only days before the Cuban Missile Crisis began. His relatively temporary papacy was marked with impassioned statements against the usage of nuclear weapons, including a call for peace over the radio to the U.S. and Soviet Union on Oct. 25, 1962, as Pope Francis mentioned in a 2013 address.
“Together with your hand in your conscience may every one hear the anguished cry which is raised to the skies from all parts of the earth, from the innocent children to the elderly, from the people of the communities: Peace, peace!” Pope John XXIII famously said in that address.
It was only a couple of months later that he issued the encyclical “Pacem in Terris,” which expressly condemned the use and possession of nuclear bombs.
“Hence justice, right reason, and the popularity of man’s dignity cry out insistently for a cessation to the arms race. The stock-piles of armaments which have been built up in various countries should be reduced all round and concurrently by the parties concerned. Nuclear weapons should be banned,” he wrote.
It was John XXIII’s successor, Pope Paul VI, who commissioned Fazzini’s “Resurrection.” The commission was under debate for seven years, based on the Vatican Museum’s website, and only became official after the pope’s “personal intervention.” It has stood behind each pontiff when using the Paul VI audience hall since.
Commissioned in 1970 and inaugurated in 1977, “The Resurrection” comes from an era of widespread fear of nuclear annihilation, of duck-and-cover drills and neighborhood fallout shelters.
Catholic anti-nuclear activism has continued to develop since then. Three years after the sculpture’s completion, a gaggle of Catholic activists called the Plowshares Eight entered a General Electric factory in King of Prussia, Pa., to protest the corporate’s work on nuclear weapons. They poured blood on parts for nuclear warheads and damaged them with hammers. All were arrested quickly.
Carl Kabat, O.M.I., who passed away earlier this month, was a member of that original group. He told America in 1981 that he took his calling for civil disobedience straight from the Bible.
“Christ broke the law. He overturned the tables of the moneychangers and took charge of the temple. He cured on the Sabbath, He plucked grain on the Sabbath,” Father Kabat said.
The Plowshares movement has grown right into a network of protestors, Catholic and non-Catholic, fighting the allocation of funds for weapons of mass destruction reasonably than care of the poor. They take their name Isaiah’s call for nations to “beat their swords into plowshares” for food production (Is 2:4).
“When the state puts such resources into weapons of destruction, it’s a healthy thing for Christians to be in trouble with the state,” Father Kabat said from a jail cell in 1979.
Civil disobedience has remained the first weapon utilized by the anti-nuclear movement. Martha Hennessy, anti-nuclear activist and granddaughter of Dorothy Day, spent five months in federal prison from December 2020 to May 2021 for participation in a Plowshares protest in Kings Bay, Ga.
“We are usually not to commit murder, nevermind mass murder with these modern weapons. And the promotion of peace is definitely a part of what we’re called to do,” she said in an interview over the phone.
The sculpture acts as a reminder of 80-year history of Catholic responses to the specter of nuclear war.
Ms. Hennessy said that the general public has grown used to the existence of nuclear weapons, and she or he fears that many have develop into apathetic to it.
“I do consider that the rhetoric and the language now’s attempting to soften us up for accepting limited nuclear engagement, which is all a fallacy,” she said. “It’s all, as Dorothy called it, psychological warfare.”
She said in an email that she feels “conflicted” over the imagery of Fazzini’s sculpture, wondering whether it makes us more aware of the horrors of nuclear annihilation or actually desensitizes us.
In her official 2018 court declaration, Ms. Hennessy quoted extensively from the “Compendium of the Social Doctrine of the Church,” the Gospels and various documents by Pope Francis. She said she believes that church teachings are quite clear of their zero-tolerance for nuclear weapons and the military-industrial complex.
Pope Francis affirmed as recently as June of this 12 months that “the usage of nuclear weapons, in addition to their mere possession, is immoral.” The chance to the environment and the divestment from the poor that nuclear weapons represent have been substantial points of his platform.
So although many on Twitter compared “The Resurrection” to the setting of a video game boss battle, the sculpture does act as a reminder of 80-year history of Catholic responses to the specter of nuclear war.
Correction: A previous version of this text misstated the situation of the Plowshares protest in King’s Bay. It has been updated to reflect that this was in King’s Bay, Ga., not N.Y.
